
Homepage of "Mr. Lincoln, Route 66, & Other
Highlights of Lincoln, IL"
Site Map
Testimonials
A Long-Range Plan to Brand the First Lincoln
Namesake City as the Second City of Abraham Lincoln Statues
The Abraham
Lincoln Bicentennial Celebration in Lincoln, Illinois
1.
Abraham Lincoln and the Historic Postville
Courthouse,
including a William Maxwell connection to the Postville Courthouse
2.
About Henry Ford and the Postville Courthouse,
the Story of the Postville Courthouse Replica,
Tantivy, & the Postville Park
Neighborhood in the
Route 66 Era
3.
The Rise of Abraham Lincoln and His History and
Heritage in His First Namesake Town,
also the founding of Lincoln College, the plot to steal Lincoln's
body, and memories of Lincoln College and the Rustic Tavern-Inn
4.
Introduction to the Social & Economic History of
Lincoln, Illinois,
including poetry by William Childress & commentary by Federal Judge
Bob Goebel & Illinois Appellate Court Judge Jim Knecht
5.
"Social Consciousness in William Maxwell's
Writings Based on Lincoln, Illinois" (an article published in the
Journal of the Illinois State Historical Society, winter 2005-06)
5.a.
Peeking Behind the Wizard's Screen: William
Maxwell's Literary Art as Revealed by a Study of the Black Characters in
Billie Dyer and Other Stories
6.
Introduction to the Railroad & Route 66 Heritage
of Lincoln, Illinois
7.
The Living Railroad Heritage of Lincoln, Illinois:
on Track as a Symbol of the "Usable Past"
8.
Route 66 Overview Map of Lincoln with 42 Sites,
Descriptions, & Photos
9.
The Hensons of Business Route 66
10.
The Wilsons of Business
Route 66, including the Wilson Grocery & Shell
Station
11.
Route 66 Map & Photos Showing Lincoln Memorial
Park
(former Chautauqua site),
the Historic Cemeteries, & Nearby Sites
12.
Route 66 Map & Photos Showing Salt Creek &
Cemetery Hill,
including
the highway bridges, GM&O bridge, Madigan State Park, the old dam (with
photos & Leigh's memoir of "shooting the rapids" over the old dam), &
the Ernie Edwards' Pig-Hip Restaurant Museum in Broadwell
13.
The Historic Logan County Courthouse, Past &
Present
14.
Route 66 Map with 51 Sites in the Business &
Courthouse Square Historic District,
including locations of historical markers
(on the National Register of Historic Places)
15.
Vintage Scenes of the Business & Courthouse Square
Historic District
16.
The Foley House: A
Monument to Civic Leadership
(on the National Register of
Historic Places)
17.
Agriculture in
the Route 66 Era
18.
Arts & Entertainment Heritage,
including
the Lincoln Theatre Roy Rogers' Riders Club of the
1950s
19.
Business Heritage
20.
Cars, Trucks & Gas Stations of the Route 66 Era
21.
Churches, including the hometown
churches of Author William Maxwell & Theologian Reinhold Niebuhr
22.
Factories, Past and Present
23.
Food Stores of
the Route 66 Era
24.
Government
25.
Hospitals, Past and Present
26.
Hotels & Restaurants of the Railroad & Route 66
Eras
27.
Lincoln Developmental Center
(Lincoln State School & Colony in
the Route 66 era), plus
debunking the myth of
Lincoln, Illinois, choosing the Asylum over the University of Illinois
28.
Mining Coal, Limestone, & Sand & Gravel; Lincoln Lakes; & Utilities
29.
Museums & Parks, including the Lincoln College
Museum and its Abraham Lincoln Collection, plus the Heritage-in-Flight
Museum
30.
Neighborhoods
with Distinction
31.
News Media in the Route 66 Era
32.
The Odd Fellows' Children's Home
33.
Schools
34.
Memories of the 1900 Lincoln Community High School,
including Fred Blanford's dramatic account of the lost marble
fountain of youth
35.
A Tribute to the Historians and Advocates of
Lincoln, Illinois
36.
Watering Holes of the Route 66 Era
37.
The Historic 1953 Centennial Celebration of
Lincoln, Illinois
38.
The Festive 2003 Sesqui-centennial Celebration of
Lincoln, Illinois, including photos of LCHS Class of 1960
dignitaries & the Blanfords
39.
Why Did the State Police Raid Lincoln, Illinois,
on October 11, 1950?
40.
The Gambling Raids in Lincoln and Logan County,
Illinois,
During the Late Route 66 Era (1950-1960)
_______
Pages
in this section tell about Leigh Henson's Lincoln years, moving away,
revisits, and career:
About Lincoln, Illinois;
This Web Site; & Me
A Tribute to Lincolnite Edward Darold
Henson: World War II U.S. Army Veteran of the Battles for Normandy and
the Hedgerows; Brittany and Brest; and the Ardennes (Battle of the
Bulge)
For Remembrance, Understanding, & Fun: Lincoln
Community High School Mid-20th-Century Alums' Internet Community
(a Web site and
email exchange devoted to collaborative memoir and the sharing of photos
related to Lincoln, Illinois)
Leigh Henson's Pilgrimage to Lincoln, Illinois, on
July 12, 2001
Leigh Henson's
Review of Dr. Burkhardt's William Maxwell Biography
Leigh Henson's Review of Ernie Edwards' biography,
Pig-Hips on Route 66, by William Kaszynski
Leigh Henson's Review of Jan Schumacher's
Glimpses of Lincoln, Illinois
Teach Local Authors: Considering the Literature of
Lincoln, Illinois
Web Site About
Leigh Henson's Professional Life
__________
Pages
in this section are about the writing, memorabilia, and Web sites of
other Lincolnites:
A Tribute to Bill and Phyllis Stigall:
Exemplary Faculty of Lincoln College at Mid-Twentieth Century
A Tribute to the Krotzes of Lincoln, Illinois
A Tribute to Robert Wilson (LCHS '46): Author of
Young in Illinois, Movies Editor of December Magazine,
Friend and Colleague of December Press Publisher Curt Johnson, and
Correspondent with William Maxwell
Brad Dye (LCHS '60): His Lincoln, Illinois, Web
Site,
including photos of many churches
Dave Armbrust's Memorabilia of Lincoln, Illinois
J. Richard
(JR) Fikuart
(LCHS '65):
The
Fikuarts of Lincoln, Illinois, including their
connections to the William Maxwell family and three generations of
family fun at Lincoln Lakes
Jerry Gibson (LCHS '60): Lincoln, Illinois,
Memoirs & Other Stories
Dave Johnson (LCHS '56): His Web Site for the
Lincoln Community High School Class of 1956
Sportswriter David Kindred: Memoir of His
Grandmother Lena & Her West Side Tavern on Sangamon Street in the Route
66 Era
Judge Jim Knecht
(LCHS '62): Memoir and Short Story, "Other People's Money," Set in
Hickey's Billiards on Chicago Street in the Route 66 Era
William A. "Bill" Krueger (LCHS '52): Information
for His Books About Murders in Lincoln
Norm Schroeder (LCHS '60): Short Stories
Stan Stringer Writes About His Family, Mark
Holland, and Lincoln, Illinois
Thomas Walsh: Anecdotes Relating to This Legendary
Attorney from Lincoln by Attorney Fred Blanford & Judge Jim Knecht
Leon Zeter (LCHS '53): His Web Site for the
Lincoln Community High School Class of 1953,
including announcements of LCHS class reunions
(Post yours there.)
__________
|

Highway Sign of
the Times:
1926-1960
The Route 66
Association of Illinois
The Illinois
State Historical Society
Illinois
Tourism Site:
Enjoy Illinois
|
| |
Lincoln, Douglas, Circuses, and Satire
D.
Leigh Henson
Springfield,
Missouri, March 22, 2022.
This pictorial research report tells a story
about the interrelationship of local, state, and national 19-century
American history and heritage involving two of our most important
politicians. In 1858
Democrat Stephen A. Douglas of Illinois ran for reelection to the US
Senate, and his Republican opponent was Abraham Lincoln. When
Lincoln and his Illinois Republican friends suggested joint debates
for the campaign, Douglas was annoyed at the idea of giving his
little-known opponent
publicity by accepting the challenge to share the debate stage. "And
James Sheahan's Chicago Times echoed Douglas's annoyance by
running an editorial asking Judd [Illinois Republican Committee
chairman] why he didn't look up the managers of the 'two very good
circuses and menageries traveling through the state' and persuade
them, rather than Douglas, 'to include a speech from Lincoln in
their performances'" (Allen C. Guelzo, Lincoln and Douglas: The
Debates That Defined America [New York: Simon & Schuster, 2008],
91). Yet Douglas was fearful of the bad publicity he would suffer if
he did not accept the challenge of joint debates. Douglas
reluctantly agreed to debate in the seven congressional
districts where his opponent and he had not yet then spoken.
The Chicago Times's
editorial suggestion that Lincoln could get audiences by performing
with circuses was a sarcasm that ironically came to life in a manner
of speaking and became a small but telling facet of the 1858
Illinois US Senate campaign. During the 1858 Illinois Senate race,
circuses played a direct or indirect role in the candidates'
appearances on July 16 at Bloomington, on July 17 at Lincoln, on
September 4 at Lincoln, on September 8 for Douglas at Carlinville and
for Lincoln at Hillsboro, and on October 15 for both candidates at Alton, site of the
final joint debate. Preeminent Lincoln historians give high praise
to Lincoln's Alton speech. Michael Burlingame calls it "certainly
Lincoln's finest rhetorical hour" (Michael Burlingame, Abraham
Lincoln: A Life, 2 vols. [Baltimore: The Johns Hopkins
University Press, 2008], 1:540). Most likely Lincoln's Alton speech
was the core of the speech he delivered miles away the next day at
his first namesake town at a large Republican rally. There was no
circus in town that day, and he delivered his speech from the steps
of the main entrance to the Logan County Courthouse, where he
practiced law on the Eighth Judicial Circuit. In May 1860 the
Illinois Republican Party met in Decatur to nominate Lincoln for
president, and he briefly addressed the convention under a circus
tent rented for the occasion.
This report tells the
peculiar story of the candidates' use of circuses as campaign
strategy. In this story we learn about their audiences, the relationship between circus
celebrities and the candidates, the relationship between the
candidates and sculptor Leonard Volk, and newspaper treatments of
their campaign and Douglas's rhetoric in particular. As it turned
out, Lincoln lost this election (the second time he failed to gain a
US Senate seat), but his rhetorical performances earned favorable
publicity, enabling him to rise from state to national politics,
eventually leading to the presidency.
In 1858 Douglas conducted an aggressive
reelection campaign to defend his leadership in passing the
Kansas-Nebraska Act of 1854, which was highly controversial because
it allowed for slavery extension in areas previously prohibited by
the Missouri Compromise of 1820. Douglas was also defending himself
against criticism by President Buchanan because Douglas and the
President, a fellow Democrat, had conflicting views on how popular
sovereignty was carried out
in a recent Kansas vote on the proslavery Lecompton
Constitution. Popular sovereignty was the term for the ambiguous
policy of allowing territories and local communities to allow or
disallow slavery through legislation and police action. Thus, in
theory popular sovereignty had the potential to solve the problem of
slavery agitation that was dividing the Union.
As the
candidates worked their circuitous way from one debate site to another, they
delivered stump speeches in many communities. Most of the seven
debates each attracted thousands of attendees. Historians writing
about the Lincoln-Douglas debates and related stump speeches of this
campaign explain that those events had a
circus-like atmosphere. Attendees came from city, town, and country
for both entertainment and information about the hot topic of
slavery, forming raucous crowds that enjoyed the pageantry of
parades, bands, and Shakespearean participatory theater. Alcohol
consumption contributed to the over-excitement of some. Some debate
and stump speech attendees engaged
in verbal exchanges with the speakers and/or threw things at them. Audiences for most of the
many stump speeches were much smaller than the audiences of the
debates. By the time of the 1858 Illinois US Senate race, circuses
were an important part of America's festivities, and this
research-based, pictorial report
explains that first Douglas then Lincoln tried to increase stump
speech audiences by speaking in communities where circuses were performing. Many locals surely welcomed an opportunity to be
entertained the same day by a circus and accomplished political
speakers.
As early as 1854 Lincoln and
Douglas must have sensed that they could exploit local festivities
to attract an audience. In October that year Lincoln planned to
speak immediately after Douglas at Springfield and Peoria as they
debated the Kansas-Nebraska Act, which Douglas sponsored and which
opened new territories to slavery. At Springfield the debaters were
scheduled to speak at the state fair, and a circus was performing at the edge of
the fairgrounds, on the west side of the city. The state fair
audiences most likely would have included circus attendees. Bad weather, however,
forced Douglas to speak in the statehouse on October 3, with Lincoln
speaking there the next day. On October 16 Lincoln delivered
essentially the same speech at Peoria. That speech became known as the Peoria speech, and
it presents the main antislavery arguments that underpin Lincoln's second political
career and rise to the presidency. Ref.:
https://quod.lib.umich.edu/j/jala/2629860.0030.204/--new-records-of-the-lincoln-douglas-debate-at-the-1854?rgn=main;view=fulltext.
Most 19th-century
American newspapers were partisan, often expressing unflattering
comparison of an oppositional political speaker to circus acts and performers. “The
debates were imagined by audience, speakers, and media alike as a
form of popular amusement much like that of Barnum [entertainment-circus entrepreneur P.T. Barnum]---part of a capacious entertainment industry
that relied on theatrics and corporeal oddity [exaggerating physical features] to draw
crowds” (Gillian Silverman, "'The Best Circus in Town': Embodied
Theatrics in the Lincoln-Douglas Debates," American Literary
History 21, no.4 [Winter 2009], 766). Partisan newspaper
reporters exploited Lincoln's and Douglas's contrasting physical
features--Lincoln at 6'4" with ungainly arms and legs, Douglas a
foot shorter. According to Professor Silverman, "What is most significant
about these [newspaper] depictions of Lincoln and Douglas is the
singular focus on the eccentric bodies and bodily functions of the
two politicians" (p. 758), and her article well supports that
thesis. Yet the two newspaper lengthy satires of Douglas's stump
speech in Lincoln, Illinois, on September 4, 1858, by the
pro-Republican Chicago
Press & Tribune and Springfield's pro-Republican Illinois State Journal
clearly emphasize Douglas's positions and policies, not his
physical traits (both satires are quoted in full later in this essay).
|
Lincoln, Douglas, and
the Circus in Lincoln, Illinois, July 17, 1858
In July 1858 Douglas's
reelection campaign began with a speech at Chicago, which Lincoln
answered there with his own speech, and from there Douglas's train
traveled to Springfield, with stops along the way for stump
speeches. The Little Giant's train included a booming cannon that
announced his arrival. Circuses performed at Bloomington on July 16
and on July 17 at Lincoln--his first namesake town--during
Douglas's scheduled stops. A circus was also at Lincoln on September
4th, when Douglas spoke in the circus tent. Abraham Lincoln witnessed those
July and September speeches.
The Lincoln Log says
Lincoln traveled from Springfield to Bloomington to hear Douglas
speak on the evening of July 16, but Lincoln declined to speak. The
next day after Douglas's train departed from
Bloomington, the first stop was Atlanta, and Douglas spoke there.
Locals urged Lincoln to speak, but again he declined.
The Lincoln Log made no mention of the train stopping at
Lincoln on July 17 (http://www.thelincolnlog.org/Results.aspx?type=CalendarDay&day=1858-07-17&r=L0NhbGVuZGFyWWVhci5hc3B4P3llYXI9MTg1OCZyPUwwTmhiR1Z1WkdGeUxtRnpjSGc9), but four other sources refer to that stop.
Reports in the Daily Pantagraph, Illinois State Journal,
and Illinois State Register mention that Lincoln was on the
train with Douglas and that it stopped midday at Lincoln. Those reports neither confirm nor deny
that Lincoln spoke
at his first namesake town—not
surprising because the trip was all about Douglas, not
Lincoln.
There is scant information
about Lincoln speaking in his first namesake town just prior to the
Lincoln-Douglas debates. Lawrence B. Stringer's History of Logan
County, Illinois, 1911, says that “during that campaign, Douglas
held a meeting at Lincoln and it is likely that very early in the
campaign, Lincoln made a speech at Lincoln. A number of old settlers
are positive that Lincoln spoke here quite early that year, but no
newspaper notice of same can be found” (p. 223). The only other
source mentioning a speech by Lincoln at Lincoln is a reminiscent
account by sculptor Leonard Wells Volk (1828–1895) published in an 1881 issue of the Century Magazine, and that
article was reprinted in a 1915 issue of the Journal of the
Illinois State Historical Society. Volk wrote that he was on the
train that took Douglas from Chicago to Springfield with a stop in
Bloomington, where Douglas was scheduled to speak on the evening of
July 16. Volk said Lincoln was in Bloomington to witness that
speech. Volk then wrote: “The next day we all stopped at
the town of Lincoln, where short speeches were made by the
contestants [emphasis mine], and dinner was served at the hotel
[Lincoln House], after which and as Mr. Lincoln came out on the
plank walk in front, I was formally presented to him.” Volk wrote
that he asked Lincoln to sit for a bust sometime in Chicago, and
Lincoln agreed. The first sitting took place at Chicago in April
1860. Volk famously created the only life masks of Lincoln, and
Volk's sculptures of Lincoln are renowned worldwide. For an account
of Volk's Lincoln sculpture, see
https://quod.lib.umich.edu/j/jala/2629860.0041.204/--animal-himself-tracing-the-volk-lincoln-sculptures-part-i?keywords=...;rgn=main;view=fulltext.
Apparently by coincidence, a
circus---Dan Rice's Great Show---also arrived in Lincoln, Illinois, on
July 17, 1858, having traveled from Bloomington. Entrepreneur/performer
Dan Rice (1823--1900), a well-known speaker and circus
clown, became a fan of Stephen Douglas. Later Rice fabricated a friendship with Lincoln during his
presidency. “On July 17, Rice and
Douglas both arrived in Lincoln, Illinois. The crowd that gathered
at the train station to greet Douglas had half an eye cocked for the
arrival of Rice's circus. Reports don't say whether the two men met,
though it would have been a natural opportunity for both to increase
their publicity. Rice did become an ardent advocate for the Little
Giant. In any case, Rice drew the same rowdy, involved audiences and
used the same oratorical techniques as the Little Giant and his
challenger, the little-known local lawyer. Both politicians used the
same slangwhanging style that Rice employed, and both also told
ribald jokes. Lincoln had studied classical speeches
[emphasis mine; I have published on this subject in the Journal
of the Abraham Lincoln Association and continue to research it
for additional publication], but a
description of him on the stump also fit Rice in the ring: He
employed a 'free-wheeling, raucous brand of personal oratory. In the
seven debates, Lincoln and Douglas gave alternating speeches
punctuated by humor and stories while surrounded by enthusiastic
crowds that hung on their every word and interjected constantly with
cries of 'That is so!' or 'Hit him again!'" (David Carlyon,
PhD.,
Dan Rice: The Most Famous Man You've Never Heard Of [Cambridge,
MA: PublicAffairs/Perseus Books Group, 2001], 250--51). Note:
Lincoln said he did not use anecdotes in debate speeches very much
because of the seriousness of such an occasion. |
Dan Rice's Great Show performed in Bloomington just
before traveling by train to Lincoln on July 17, as Douglas and
Lincoln did. Again in the first week of September Lincoln would ride the train from
Chicago to Springfield for the same purpose, with another
circus-related stop in Lincoln, as explained later.

|
Throughout his long circus career, Dan Rice performed
with the circus he owned, with other circuses, and at other venues.
His diverse abilities included animal training. His circus once
advertised "the tight rope elephant," "the tame rhinoceros," "the
trick camel," "the talking horse," "the comic mules," "the tandem
manage mares" (Carlyon, 229). His two trick horses, first Excelsior and
then Excelsior Jr., were the stars of the show. After Excelsior Jr.
died in 1878, Rice "honored his last great animal attraction with
stories about a mile-long funeral procession and that Henry
Wadsworth Longfellow [allegedly] confided that Excelsior made him
believe in a heaven for horses" (Carlyon, 379). Rice named one of
his other trick horses for his political hero, Stephen A. Douglas.
Rice's abilities included acting, clowning, singing, and public
speaking that featured jokes and anecdotes. Rice was married three
times, and two of his wives were circus performers. Rice's ambition
and celebrity
led him to run for US president in 1868.

Sources: poster image at left:
https://americanhistory.si.edu/collections/search/object/nmah_325266.
Image at right:
https://historyofyesterday.com/the-rich-clown-who-ran-for-u-s-president-and-died-penniless-ef7422ff123a.
More information about Dan Rice appears later in this essay. See
also
https://en.wikipedia.org/wiki/Dan_Rice.
From inside the book jacket, about the author, Dr. David Carlyon: "After graduating
from Clown College, David Carlyon toured three years with the
Ringling Brothers and Barnum & Bailey Circus. He has worked as an
actor, director, playwright and university professor. He was in the
Army, has a Ph.D. in Theatre from Northwestern University, and holds
a Berkeley law degree." Front and back of book jacket:
|

Dr. Carlyon's book is both scholarly and readable. Book
"parts" and chapters: PART 1: A
Perfect Rush (1823--1847): 1. Home, Sweet Home; 2. Go West, Young
Man; 3. Learned Pig, Learning Dan; 4. "Circus"; 5. Clown to the
Ring. PART 2: One Horse Show (1848--1852): 6. Spalding and Spicey
Rice; 7. Reading, Not Acting Clown; 8. Foreclosure; 9. One-Horse
Story; 10. Like a Phoenix; 11. Alternating Ringmasters; 12. Curses!
Foiled Again. PART 3: The Great American Humorist (1853--1856): 13.
The Barnum of New Orleans; 14. See the Elephant; 15. People's
Choice; 16. $100,000; 17. Bearded in His Den; 18. Dan Rice's Great
Show; 19. Servis [sic] Rendered; 20. Hey, Rube! PART 4: Something
Higher (1856--1860): 21. Cabinet of Curiosities; 22. Genius for Fun;
23. Excelsior! 24. Daniel McLaren; 25. Grammatical Assassin? 26.The
End? 27. Ring Cycle. PART 5: The People's [US presidential] Candidate
(1860--1867): 28. House Divided; 29. Southern Sympathy; 30. Union,
Alias Peace; 31. A Muted Voice; 32. "Colonel" Rice; 33. Rice for
President. PART 6: Reverse of Success (1868--1883): 34. Folly to
Fight; 35. Paris Pavilion; 36. Is Life Worth Living? PART 7: Old
Uncle Dan (1884--1900): 37. More Fun Than You Can Count; 38. Snake
Oil; 39. Honest Abe's Uncle Sam. Notes, bibliography, permissions,
and index. 506 pages.
|
On July 17, 1858, Dan Rice probably saw Douglas,
Lincoln, and Leonard Volk, in Lincoln, Illinois; and in later years
Rice would often express allegiance to Douglas's political views but
falsely invent a friendship with Lincoln as president, as noted
later in this essay.
The
following map, adapted from Google Earth, shows the locations of the first railroad
depot (used by Abraham Lincoln, Stephen Douglas, and famous others), the present Amtrak depot, the
19th-century Lincoln House (hotel), and
circus performances in 19th-century Lincoln, including those of July
17 and September 4, 1858. During my early 1950s childhood in
Lincoln, circuses unloaded at the freight depot of the GM&O railroad
at
Sangamon and Pekin Streets, and performed on the eastern outskirts of town at
the site of the present Lincoln Community High School.
 |

Above photo adapted from
Raymond N. Dooley and Ethel Welch, eds., The Namesake Town: A
Centennial History of Lincoln, Illinois
(Lincoln, Illinois: Feldman Print Shop, 1953), p. 17.
|
In 1971 the late Lloyd Ostendorf, a renowned
Lincoln historian, Lincoln photo expert, and artist, created a drawing of Lincoln
speaking at Lincoln in front of the Lincoln House hotel, which was
a half block east of the train station at Broadway and Chicago
Streets. Ostendorf dated that speech July 13, 1858, but cited no
source for that date. In the drawing below at Lincoln's right are
Leonard Volk (in beret with tassle) and Stephen Douglas. A bearded Robert Latham,
one of the three founders of the first Lincoln namesake town,
appears behind Lincoln on his left. Circus owner/performer Dan
Rice could also have been included, but Ostendorf probably had never heard of him.

|
Ostendorf's depiction of Volk wearing an artsy beret is
accurate, because a photo later in this essay shows him
wearing one. The drawings by Lincoln historian Lloyd Ostendorf
published in this project are part of a collection kindly
given to me several years ago by Lincoln historian Professor Ron
J. Keller of Lincoln College.

The most complete history of the Lincoln House is a
24-paragraph article by the renowned Lincoln expert the late James T. Hickey
in the centennial edition of the Lincoln Evening Courier,
Wednesday, August 26, 1953, p. 8. Hickey's research for this
article included news stories published in the Lincoln Herald.
The original Lincoln House was built in 1854
by the town founders (John D. Gillett, Virgil Hickox, and Robert
Latham). Fire destroyed the original Lincoln House on April 10, 1870. The picture below shows the second
Lincoln House, built in 1875 by John D. Gillett. Hickey writes, "It
was in this [the original Lincoln House] hotel that Abraham Lincoln, Stephen A.
Douglas, Judge David Davis, Ward H. Lamon, Leonard Sweat, Richard
Yates, and many other famous men of that day stayed while in
Lincoln." Hickey quotes a justice of the peace contemporary of
Lincoln in reporting a story of Lincoln in which he was approached
in the Lincoln Hotel by friends of a man indicted for murder.
Lincoln was "convinced their friend was justified in his act, took
the case, secured an acquittal and charged them $15 for a fee."

|
|

annotated screen capture of Google Earth view, 2019
|
At mid-20th century Alvey's Drug Store was in this
corner building and was the unofficial headquarters of the Logan
County Republican Party. Its muckety-mucks exchanged countless
stories there. Mr. Lincoln would have been at home, and he could
still have walked across the street to catch a train back to
Springfield. For information and photos of Alvey's and GOP pols,
access and scroll
https://findinglincolnillinois.com/business.html.
Stephen Douglas was a benefactor of Leonard Volk, a
relative: "In 1855, Douglas was instrumental in sending Volk to
Rome, where the latter attended 'the finest school for advancement
in the Art of Sculpture in the world.' Douglas continued to
subsidize Volk during the rest of the decade" (Robert W. Johanssen,
Stephen A. Douglas [New York: Oxford University Press, 1973],
466). Besides the bust of Douglas seen in the photo below, Volk
created a full-length statue of Douglas, which stands in the Old
State Capitol at Springfield, Illinois. The statue's missing thumb was explained
by the late Lincoln historian James T. Hickey (whose Lincoln course
I took at Lincoln College, 1960-61):
https://sangamoncountyhistory.org/wp/?p=6891.
Leonard Volk lived and worked in Chicago, and below at left is a
cropped version of a well-known photo of him (wearing a beret with
tassle) with
his busts of Lincoln and Douglas. Photo source:
https://chicagology.com/biographies/volk/. It took me a while to
learn that Volk had also sculpted a bust of Dan Rice--and to find a
photo of it, which I used to create the composite below. In the
early 1860s Dan Rice's fame may have led Volk to sculpt his
bust. The busts of Lincoln and Rice, also then famous, were displayed together at
Chicago's Sanitary Fair of 1865 to raise money for wounded veterans
of the Civil War (Carlyon, 330). Rice came to possess this bust. Source of photo of Volk's bust of Dan Rice:
https://www.bgc.bard.edu/exhibitions/exhibitions/19/circus-and-the-city-new.
Volk was also co-owner of a Chicago company that sold imported
marble:
https://chicagology.com/prefire/prefire159/.
|
 |
|
Rice was a decades-long fan of Stephen Douglas;
however, Rice attempted to enhance his reputation fifteen years
after Lincoln's death by fabricating a friendship between the two: "The fable grew
to become the most important of all the stories, more prominent than
any facts of Rice's life [emphasis mine]. For greater
plausibility, Rice postdated
the connection, adding Lincoln to a half-century old story from
Sketches [of Dan Rice, The Publisher's Weekly, 1843], of
a backwoods horse race in Illinois, where charlatans tried to get
him drunk so they could cheat him. Now Abe entered the story as the
race's honest judge.)" Rice's first biographer, Maria Ward Brown,
included that fiction as fact in her The Life of Dan Rice
(1901). In another fictitious anecdote, Lincoln sits on a trunk in
Rice's dressing room, "his long legs stretched out in the small
space, while Mary Lincoln tries to maintain her dignity in the
background." In another [story], "Abe has sent a carriage to bring
Dan to the White House, to get his friend's sense of the country's
mood" (Carlyon, 408--409). Apparently Rice's stories of friendship
with Lincoln were widely accepted. Perhaps Lincoln would have been
amused. "The culminating element in Rice's patriotic elevation,
albeit a claim he did not make himself, was that he had been the
model for Uncle Sam" (Carlyon, 410).
On August 21, the date of the first
Lincoln-Douglas debate, at Ottawa, the Ottawa Free Trader
echoed the earlier sarcasm of the Chicago Times that Lincoln
could get audiences from circus attendees: "Circus--Spalding and Rogers' Grand Circus
to be here a week from today. As Lovejoy [the abolitionist Owen
Lovejoy, a political friend of Lincoln] and Lincoln find it
difficult to get large audiences to hear them speak, could they not
make arrangements to travel with this circus as a side show?"
|
Lincoln, Douglas, and the Circus in Lincoln, Illinois, September 4,
1858
In the first week of September 1858 Lincoln and Douglas were in
Bloomington to speak, as Lincoln continued to monitor his opponent. According to The Lincoln Log,
Abraham Lincoln was there as a guest of Judge David Davis. On September
4 Lincoln was a passenger on the train taking Douglas south to
Lincoln, Illinois, and Springfield.
The Bloomington Pantagraph edition
of September 8, 1858, began with reference to a Chicago Press &
Tribune satire of Stephen A. Douglas that had been published in
anticipation of his circus-tent speech at Lincoln, Illinois, on September 4, 1858. The
Pantagraph followed that reference with a reproduced
advertisement for Douglas's speech that was published in the August
28th edition of the Logan County Democrat, and that edition
featured an advertisement for the Spalding & Rogers New Orleans
Circus that would also appear in Lincoln on September 4th. A main
attraction of that circus was a "40 horse wagon."
According to a
source cited later in this essay, Douglas planned to appear in
Lincoln on the same date as the circus because it assured him of a
sizable audience.
|

The September 8th edition of the Pantagraph
included the full text of the Chicago Press & Tribune's
satire of Douglas's upcoming circus-tent speech at Lincoln, and
that full text appears later in this essay. The Spalding and Rogers Circus was prominent. Dan
Rice had performed with this circus in the 1840s before establishing
his own circus. About the founder of this circus and its history:
https://en.wikipedia.org/wiki/Gilbert_R._Spalding.
|

Source:
https://www.wikiwand.com/en/Gilbert_R._Spalding
Note: At mid-19th century, circuses mainly
traveled by train, but the Spalding and Rogers Circus also had a
"floating palace," and it visited Peoria, Illinois, on the Illinois
River in this period:
https://www.peoriamagazines.com/ps/2017/10/17/circus-central-illinois.
Description of the "floating palace": "On 5 July 1852, a most
amazing sight, the Spalding & Rogers Floating Palace, was moored at
the foot of Cincinnati’s Main Street. This unique boat was the venue
that day for four circus performances. The Enquirer of 7 July
expressed the opinion that the Floating Palace’s receipts exceeded
the aggregate total of all other amusements in the city. The massive
circus barge was built over the previous year in Newport, Kentucky,
at a cost of $42,000. The Floating Palace was 250 feet long and 60
feet wide, a craft large enough to contain a full-size 40-foot
circus ring and to seat more than 3000 patrons. After nearly a
decade plying the Ohio & Mississippi rivers, including regular stops
at Cincinnati, the Floating Palace was commandeered by the
Confederates and was converted into a floating hospital for the
duration of the Civil War." Source:
https://handeaux.tumblr.com/post/117078700412/the-floating-palace-on-the-ohio-river-on-5-july.
|
Abraham Lincoln's close observation of Stephen
Douglas on September 4, 1858, had to be one of the most important
experiences for Abraham Lincoln in the city named for and by him in
1853, the year before his famous return to national politics. In
his chapter, "Abraham Lincoln" (History of Logan County,
Illinois, 1911), historian-Judge Lawrence Stringer provides an account of the activities of Stephen Douglas and Abraham
Lincoln on September 4, 1858. That date fell between the debates at
Freeport (8-27) and Jonesboro (9-18). Stringer says the occasion of
the speech in Lincoln, Illinois, was part of a day-long Douglas
rally leading up to a "monster demonstration" (Stringer's
circus-evoking term) for
Douglas in Springfield, Illinois. Douglas, of course, would have
taken special pleasure in speaking in the namesake town of his
senatorial campaign opponent. Below are Lloyd Ostendorf's depictions
of Douglas and Lincoln at the train depot at Lincoln, Illinois, and
Lincoln listening to Douglas speak in the circus tent.
|

The noted Lincoln historian Paul M. Angle describes
Douglas's circus tent speech in Lincoln:

In describing Abraham
Lincoln on the day of Douglas's speech, Lawrence Stringer relies on
the reminiscent eyewitness account of S. Linn Beidler of Mt. Pulaski.
As reported
in the Lincoln Herald of February 17, 1885, Stringer quotes:
"I [Beidler] was among the thousands who attended the great meeting
in Lincoln to hear Douglas. The meeting was held in a circus tent. A
circus was in town, at the time, and the Douglas adherents had hired
the tent, for use for Douglas's speech, the speech coming after the
afternoon circus performance. The tent was pitched on the triangular
lot, now located near St. Patrick's Catholic Church [many decades
later renamed the
Holy Family Catholic Church] and occupied by the cement works [Shoup's
at mid-20th century, since demolished]. The crowds drawn by the
circus and by the Douglas demonstration together, made of the day,
quite an event and the new town was full of people. The procession
which escorted Douglas from the Lincoln House to the tent was
conspicuous for a float, containing thirty-two young ladies from Mt.
Pulaski, each with flag with the name of a state of the union upon
it" (Stringer, 224). |
|
 |
|
Beidler's account also
claims that Douglas was "bold, defiant" (no explanation, however, of what Douglas
actually said). Beidler says that afterward on the train to
Springfield he introduced himself to Lincoln and conversed in a
friendly way about their mutual acquaintances in Mt. Pulaski (where
Lincoln had also practiced law in the Logan County Courthouse from 1848 to 1856,
when that town was the county seat before it was
moved back to Lincoln, Illinois) (Stringer, 225).
The
events of "Douglas's Day" in Lincoln, Illinois, show that Abraham
Lincoln was so politically ambitious, clever, and thick-skinned that
he could insert himself into his opponent's day-long, exuberant
rally at the risk of whatever abuse his opponent's supporters might
be capable of. Lincoln did so with the determination to remain
passive and silent, hoping to find something he could use at a later
opportunity (Lincoln's law partner, William H. Herndon, once said
anyone who took Lincoln for a fool would one day find himself in a
ditch).
The
Bloomington Daily Pantagraph edition of September 8th published
the pro-Republican Chicago Press & Tribune's satire of
Douglas's anticipated circus-tent speech in full (copied below) but did not specify
the date of its publication in the Chicago Press & Tribune.
Apparently, the Democrats had arranged for Douglas to speak between
the morning and evening performances of the circus, using it to
attract a large crowd.
The Chicago newspaper's satire projects Douglas as part of the
circus: "Where Judge Douglas is classed we are not informed. Whether
he is among the 'riders,' 'acrobats,' 'gymnasts,' 'voltigeurs,'
'equilibrists,' 'calisthenists,' or one of the three clowns, the
[circus] bill leaves us in blissful ignorance. Whether he is to
assist Madame Anna Church in 'trundling a wheelbarrow to the sky,'
'with a lady weighing not more than 125 pounds,' or whether he is to
play the part of one of the 'quadrupedal celebrities,' 'Bucephalus,'
'Pegasus,' 'Aristook,' 'Big Thunder,' 'Telegraph,' or 'Wildfire:'
whether he comes in the Pantomime or Spectacle; or whether as a
jester, or grotesque and comic gymnast, whether in 'pad,' 'entree,'
'dancing,' 'trick' or 'war,' we have no means of telling; but the
bill assures us that the performance will be 'all under one tent,'
and that 'Judge Douglas, the nation's favorite,' will be thar."
"Judge Douglas will not thank us, perhaps, for attempting to
interfere with his arrangements for getting a crowd to listen to his
dull platitudes about niggers [sic], nigger equality and
amalgamation; but if he will permit our advice, we should say the
role of a Posture-Maker will become him best. We will, at the risk
of incurring the displeasure of the manager, give our ideas of such
additions to the programme as his accession to the Company makes
necessary.
|

Lawrence B.
Stringer
Source: Stringer, History of
Logan County, Illinois, 1911

S. Linn
Beidler
Source: Stringer,
History of Logan County, 1911 |
I.
Douglas as a Democrat.--- In this character, which the Judge
has not lately assumed, he will be seen in the act of deifying the
Missouri Compromise and pushing aside the 'ruthless hand' that would
destroy it. This used to be received with thunders of applause.
II.
Douglas Destroying the Missouri Compromise (with the view of the
White House in the distance).--- In this act, the exact
opposition of the first, the Judge has won great distinction. It is
tragic to the last degree.
III.
Douglas inventing squatter sovereignty.--- This is as fine a
representation of a well known fiction as was ever got up on any
stage. The Judge is seen in the pangs of labor with the great idea.
IV.
Douglas repudiating squatter sovereignty.--- Squatters seen
flying from their homes followed by a big African gentleman, who
bears the label 'Dred Scott' on his back.
V.
Douglas paying homage to Dred Scott.--- Copy of one of the
Judge's historical attitudes assumed at Springfield in June 1857,
when he performed before the Grand Jury of the State--Distant view
of the Federal Court in bane, with Buchanan in close confab with
Taney--Ghost of Calhoun raises at the conclusion of the act.
VI.
Douglas repudiating Dred Scott.--- Reproduction of a recent
scene at Freeport [second debate], in which the judge played a
second part--The Senate House discovered afar off, and the way
thither blocked up by a crowd of angry people, who persist in
turning him back. (In this piece the action is terrific.)
VII.
Douglas Eviscerating the Toombs Bill.--- Copied after the
celebrated act. 'Brutus condemning his own son to death'---Douglas
armed with scissors and pen, is putting Popular Sovereignty to
death by striking out the submission clause. (This has been received
with great applause by the Black Republican crowds.)
VIII. Douglas Reconciling Dred Scott and Popular Sovereignty.---
A feat that is without parallel in the magician's art, far
surpassing the difficulty of mixing oil and water of the breeding
of white black birds. (In this astonishing performance Douglas
stands unequaled and unapproachable. Except the last act this is the
chief feature of the performance. It alone is worth the price of
admission.) [This passage slams Douglas's contradictory position
that on the one hand he supports the Supreme Court's Dred Scott
decision that allowed slaves as property to be taken into new
territories but on the other hand maintaining that local legislation
and police action could prevent that.]
The whole to conclude with the celebrated laughter-provoking,
side-splitting after-piece entitled
"A MISTAKE IN THE SEX"
IX. Douglas Bringing
Lincoln to His Milk!--- Wherein Douglas appears as a milk maid
with pail and stool. (The scene is depicted just at the moment that
Lincoln kicks him and his milking arrangements 'higher nor a kite.')"
The Logan County Democrat
does not tell us whether the engagement of the 'Nation's Favorite'
by the circus manager is for the season or only accidental and
temporary. We take it that he will not 'draw' as a permanent thing.
His popularity is waning. He has appeared so often and in so many
and opposite characters that he has lost his power over the crowds
which he once amused. No man can be comedian, tragedian, pantomimist,
and buffoon, and win success. But we shall not fail to chronicle his
progress, be the engagement long or short. Go it Circus! Go it
Douglas!"

The September 8th
edition of Springfield's Illinois State Journal
also carried a pro-Lincoln satirical account of Douglas's
circus-tent speech in Lincoln submitted by a reporter on the day of
the speech and revealing more details about the arrangement,
including Douglas's maneuver to trap an audience. This satire is posted here in full:
"A number of Springfield's
citizens visited this place [Lincoln, Illinois] today, to see the
grand performance of ponies, horses, men and--giants. The latter was
certainly a ludicrous one-horse affair. What they saw I will more
particularly relate.
PREPARATION AND GRAND ENTREE. Most of the morning gave evidence of a
slim attendance. 'a solitary horseman' only being occasionally seen
winding his way into town--tie up and liquor. At nine a freight
train brought down the Atlanta cannon and four gunners with red
flannel shirts. A round or two from this other brass piece of
Douglas made it exciting. The circus soon arrived; so did the organ
grinders and patent medicine peddlers. Here was excitement.
But the enthusiasm was to come yet, and it did, in the shape of
quite a company of ladies on horseback, with their beaux and
brothers, and eighteen wagons from Pulaski township. This
enthusiasm, or the chance of a cheap ride, caused numbers to
volunteer and fill two cars to bring down Douglas and his two
baggage carriers from Atlanta; which was accomplished--the train
down. A wheezy band of music also accompanied the train down. Some
powder was burned on the arrival of the two cars, and little Dug [sic]
actually walked up to the tavern, and graciously bowed and bowed to
the ruby landlord.
DOUGLAS INSPECTS THE COURTHOUSE. One old Democrat who, seeing a
fitness in things, hadn't Douglas's cunning, said he wouldn't vote
for D. if he spoke in a circus tent; and seats and tables were
arranged at the Court House. Douglas, his baggage carriers and the
committee visited and examined these, and pronounced them unfit, as
nobody would leave the other amusements to hear him here. The seats
and tables were upset, therefore, and incontinently kicked aside.
SECRET ARRANGEMENT WITH THE CIRCUS. The same parties, with Douglas,
at noon, visited the circus. D. knew his partnership there to be a
lucky one, and he immediately arranged for the long wagon which
hauls the baggage of Charley Walters, the two-horse rider of the
Motley brothers, balancers, etc., to be prepared for him to stand or
fall upon. It was to be wheeled into the ring, and before the people
could get out with their wives and babies, he and his friends should
enter, block up the passage and commence his performance.
FIRST ACT---THE SUBJUGATION. Of course by this maneuver a number of
Republicans were forced to remain. One of them, restless, spoke out
his sentiments, when Douglas and others hushed him up--he had no
rights there that Democrats were bound to respect [this phrasing
echoes that of the Supreme Court's Dred Scott decision that
proclaimed "blacks had no rights which white men were bound to
respect"]. A dozen or more infants, heated and suffocated in their
mothers' arms for want of air and water, were not to be intimidated,
but squalled out lustily during this performance.
DOUGLAS IN TWO ACTS--HERCULES LIBBY [a female circus performer known
for her weight-lifting ability]. At the very commencement of the
speech, the same old charges of falsehood, liar, defamer, being
applied to Judge Trumbull [Republican US senator of Illinois], in
which Douglas entirely misstated the case and was called to account
by a gentleman for his misquotations, Douglas imagined himself the
Hercules Libby of the circus--a perfect modern Atlas . . . demanding
of his Democratic friends to 'put out this man' and that his meeting
should not be disturbed; nor were his nerves quieted until the man
was clear out of his sight. Here was fairness, candor, and dignity
for you! Oh, how different from Lincoln's course towards those
blackguards whom Douglas hires to disturb his speaking.
Those who now saw Douglas perform in his grand, two-horse act [a
political cartoon appears later in this essay that depicts Douglas
riding the two contrary horses of the Dred Scott decision and
popular sovereignty], and
who had previously read and understood the charge [of chicanery]
made against him by Senator Trumbull, were more than over convinced
that the little dodger is well named--that he is indeed a dishonest,
tricky, and treacherous demagogue; that he showed it in basely
betraying popular sovereignty in the matter of the Toombs Bill
[congressional legislation that Trumbull accused Douglas of
modifying to proslavery advantage], and more clearly now in the
gross manner in which he endeavors to smooth it over. His attempt to
explain away was most lame and miserable, yet done with all the
assurance and seeming truthfulness of a sainted martyr. He alleged
that until two years ago no question was made relative to submitting
a constitution [in Kansas] to the people's vote [to establish
statehood for Kansas]. He then went off into other matters, creating
mist, and entirely forgetting to answer the real charges against
him. This was one of his afternoon feats, which entirely eclipsed
anything done this morning by [Henry] Magilton, the voltigeur
[bareback horse-riding sharpshooter], but it is thought and rumored
he will be lame for life for his fall from his black pony. So lame
was his defense that an old Democrat cried out---'Ah Douglas
come view the ground where you must shortly lie.'
DOUGLAS AS DILLY FAY, THE JESTER. But Douglas' imitations of Dilly
Fay, the clown, are the best of his circus performances. He is great
when it comes to fun. He is terribly annoyed that Lincoln should be
after his place--just as if Douglas had any place more than Lincoln,
except as the people grant it. Then Lincoln's charge of the
conspiracy of Douglas and others [Democratic conspiracy to
nationalize slavery that Lincoln alleged in the House Divided
speech, July 16, 1858], with the majority of the Supreme
Court Judges, to extend slavery all over the country and its free
territories. Here was fun. He was sorry L. had so charged him, for
they had always been friends, and L. was known to be a good man and
a gentleman. He did at first suppose it [Lincoln's conspiracy
accusation against the Democratic leaders] a joke; but as it was
proving a dear joke to the 'little joker,' he must somehow twist and
turn its point. And to see him do so was as amusing as to see Dilly
Fay running from the open-mouthed pony, except that was only for
fun, while the former was in dead earnest, yet creating fun to
others. He begged the dear people (for whom he was always ready to
sacrifice himself) not to believe a word of it. Why, says he, I've
been in this state 25 years; don't that fact prove I wouldn't begin
to do anything wrong? Just think of it a moment, gentlemen---25
years have I have been holding or seeking office in Illinois; ain't
I to be believed rather than Lincoln who has only been here 27
[sic] years?
BACK UPON TWO HORSES AGAIN. 'Audacity' and 'mendacity' are favorite
and chaste words used by Douglas on two horses in charging upon
Trumbull, so entirely in his excitement of the chase does he forget
the courtesy of a gentleman and United States senator. Extremely
audacious indeed is it in Trumbull to intimate such a little matter
and prove it too, as Douglas' leaving out a clause in Toombs' bill,
which would otherwise have submitted a matter to the people who were
interested therein [Kansas citizens voting on a constitution and
Kansas as a slave state or not]. (And any boy can see that Douglas thus did, if he will
examine the files of the Congressional Globe). Douglas rode
the black locofoco [Democratic] horse very well, I confess, but when he attempted
to stand with his toe on the old white Whig charger, he fell flat on
his black [sic]. It was an artful maneuver, but the rider was too
short, and the horse kicked up. He said he once fought the Whigs
hard and cunningly, and it can be added basely and meanly, on
certain issues which had all passed away; but as they were the same
on the slavery question (a base lie) he could not see why either
should now get off the plank they found themselves together upon. Do
not Webster and Clay turn in their graves? I observed that one
effect of this speech was to determine old Whigs and all Republicans
to go home and organize for the fight for Lincoln, now and ever the
plain, true, and consistent leader and preacher of principles to
which they are and have been wedded. Logan County is all right
against the little dodger, and for honest Abe. Springfield."
Note: The eye-witness writer of the preceding account
suggests that Douglas's decision to move his speaking venue from the
Logan County Courthouse in downtown Lincoln to the circus site a few
blocks away was impromptu, but according to the Daily Illinois
State Journal of Springfield, September 9, "The truth is,
Douglas was advertised ten days beforehand to speak at the circus."
Additionally, the writer of the preceding eyewitness account does
not report seeing Abraham Lincoln there to hear the speech, as Beidler had written--not surprising because Beidler had indicated
that Lincoln did not attraction attention there and then.
After its appearance at Lincoln, the Spalding & Rogers New Orleans
Circus played in Springfield, Illinois, September 6 (Richard Hart,
Circuses in Lincoln's Springfield, 69). The Lincoln Log
says he was then in Monticello for a rally and speech.
In the race for the Senate of 1858, Abraham Lincoln did not allow
his opponent to have the advantage of an unanswered political speech
in his first namesake town. Candidate Lincoln delivered a two-hour
political speech on the steps of the main entrance to the Logan
County Courthouse on October 16, 1858--the very day after the last
Lincoln-Douglas debate, at Alton. For my research on Lincoln's
post-debate stump speech in Lincoln, Illinois, access it directly on
this secure webpage:
https://findinglincolnillinois.com/alincoln-lincolnil.html#1858lincolnilstumpspeech.
I researched that event, finding that newspaper reports used the
word monster to describe that rally. The use of that word
evokes the circus-associated theme of physical oddity. Using that
research, I wrote a playscript about the event that was used to
reenact the event on October 16, 2008, as the central component of
the Abraham Lincoln Bicentennial Celebration in Lincoln, Illinois.
Here is a link to
my pictorial account (PDF) of the reenactment, news reports, and the
playscript of the reenactment, including Mr. Lincoln's speech as I
envisioned it:
https://findinglincolnillinois.com/bicentennial/1858re-enactment.pdf.
Video:
https://www.youtube.com/watch?v=OwZAXvmbytc.
Photo
album:
https://photos.google.com/share/AF1QipNu1GjsurWSY3syiym8kmw9fTOAojFvKtngm_iueVUqJzEqgod1BKbLAj6ys4Ws9g?key=M3prQ0FCTFloeEl3VVJMMFVhdTZfTnVhaVdrdHRR.
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Douglas's and Lincoln's
Circus-Related Speeches, September 8, 1858
In the days immediately following Douglas's circus tent speech at
Lincoln, both candidates took advantage of circus goers
in other communities. The rivals were winding their way to the third
debate at the far southern Illinois ("Egypt") hamlet of Jonesboro. According to a short report titled "Douglas in
the Ring" in the September 9th edition of the Daily Illinois
State Journal, "Douglas is still following Spalding's Circus. He
appeared at Carlinville [south of Springfield] yesterday
simultaneously with the big show and put his celebrated trick horse
'Popular Sovereignty' through his accustomed paces." Joseph E. ("J.E.")
Warner was the manager of the Spalding Circus, and he may have used
his observation of Douglas on this occasion to fabricate a
circus-related story involving both Lincoln and Douglas, as
explained later.
Also on
September 8th Lincoln spoke for two hours while standing on a circus wagon
under a rain-drummed circus tent in Hillsboro, Illinois, as reported
in The Lincoln Log September 9, 1858. The account of Lincoln's
speech under the circus tent at Hillsboro published in the
pro-Republican Illinois State Journal on September 15th says
the audience was enthusiastic despite getting soaked from the rain.
The account mentions Douglas's purchase of a local newspaper; it
would promote his cause. In 1859 Lincoln secretly bought a
German-language newspaper in Springfield to promote the Republican
cause.

S. Linn Beidler's
reminiscent eyewitness account of Douglas's circus-tent speech at
Lincoln cited above is credible, but another reminiscent account of
a different circus-related campaign event following the speech at Lincoln is not.
(Sidebar: I am thankful for Lincoln historian Richard "Dick" Hart's research
that led me to discover that inaccurate reminiscent account. Mr.
Hart, a Springfield attorney and Lincoln activist, has scrupulously
documented the many circuses that played in Lincoln's Springfield,
and Mr. Hart suggests that Abraham Lincoln could have seen a circus
there as early as 1833, credibly suggesting that Lincoln probably
"loved the circus. It brought him great joy. That love and joy
perhaps originated in his morose personality's need for humor and
entertainment. The circus allowed him to escape the sad and
oppressive dreary realities of life. I believe that Lincoln likely
not only attended many of the 50 circuses noted here [in Mr. Hart's
research, self-published in 2013], but that he shared his love of
the circus and children by taking his boys and neighborhood children
to the circus."
Ref.:
https://abrahamlincolnassociation.org/wp-content/uploads/2019/01/Circuses-In-Lincoln%E2%80%99s-Springfield.pdf)
The faulty reminiscent
account was written by Joseph E. "J.E." Warner; he inaccurately identifies the
circus-related speech event as one of the
Lincoln-Douglas joint debates: "J.E. Warner was manager of the
Spalding & Rogers Show in 1858. In a series of articles that he
wrote for the Detroit Saturday Night in February 1914, he
described how the circus tent had been engaged by the political
committees for the Lincoln-Douglas debates." (Warner also spent time
as manager of Dan Rice's circus.) Warner identified Hillsboro as the
location, but no joint debates were held at Hillsboro, and the
candidates had agreed not to speak at the same time and place. As
indicated above, Douglas was in Carlinville on September 8 while
Lincoln was then in Hillsboro. Those locations are about 30 miles
apart, and it would have been impossible for Douglas to speak at
Carlinville then travel to Hillsboro to speak or vice versa. An historical marker
at Hillsboro says that Douglas had spoken there in August, with no
mention that Lincoln was there then.
Hugo H. Zeiter describes
Warner's account: "At short notice, the committees decided against
the use of the tent because a local newspaper had ridiculed Douglas
for making his first speech in a circus tent. The Lincoln-Douglas
speeches were held in a grove, and, when the speeches were not
finished by two o'clock as had been agreed, Warner had the 40-horse
feature driven through the grove to lure people to the circus. The
wagon used on that occasion was an immense cage containing a woman
surrounded by a dozen pythons and anacondas, driven by one man who
was probably J.W. Paul. Atop the wagon sat a brass band." Source:
Hugo H. Zeiter, "Through the Years with the 40-Hitch," The
Carriage Journal 10, no. 4 (Spring 1973), 144.
The American Circus
Anthology gives a more detailed report of Warner's apocryphal
account of Douglas and Lincoln speaking at Hillsboro, including the
wrong date: "Abraham Lincoln was to give a speech in Hillsboro,
Illinois, on September 9. This, too, was a circus date, and Warner
had arranged with the local Republican committee to use the tent.
However, after the comments on Douglas's use of the facility, the
locals said, 'No tents for us. . . . We've arranged to hold our
meeting in the grove."
Zeiter continues, "The grove
was about half-a-mile beyond the circus lot and everyone---six or
eight thousand people---passed the circus on their way to hear
Lincoln. Warner had received the committee's promise to begin the
program at noon, and they said it would finish at two p.m. 'The
speaking was delayed half-an-hour,' Warner reported, 'and I listened
to Mr. Lincoln for a while, and then went to the tents to prepare
for the crowd. A few minutes before two o'clock, the feature of our
parade was drawn up to the grove, ready to allure the crowd to the
tents when the speaking closed. It was an immense cage containing a
woman surrounded by a dozen large pythons and anacondas, drawn by
forty horses driven by a single man (Major Derth). Atop the cage sat
a big band."
'Two o'clock came. Mr.
Lincoln seemed no nearer his conclusion than when he began. I must
have the crowd,' I demanded of the master of ceremonies.
'Oh, give us a few more
minutes,' he begged.
'I'll give you ten.'
"Watch in hand, I waited.
When the time was up, the rail-splitter was still rending the air
with his eloquence. Evidently, he was just becoming seriously and
earnestly interested in his subject. If our show was to get any of
these people, it must get them before sundown. I stepped to the road
and waved my hand. The woman shook up the serpents. The band struck
up a lively air. The procession moved, and only the committee and a
few personal friends were left to hear the eloquent peroration for
which Abe Lincoln was famous." Source:
https://www.classic.circushistory.org/Thayer/Thayer2i.htm. J.E.
Warner certainly "did not let the facts get in the way of a good
story." Unlike some Lincoln lore, J.E. Warner's story has no
factual basis. Warner and Dan Rice--two tricky circus men well
acquainted with one another--fabricating connections with the Great
Man in order to gain fame by association. Historical markers for
Joseph E. Warner at
https://www.flickr.com/photos/lugnut215/48865024517.
|
Circus
Elements at the Last Two Lincoln-Douglas Debates
The sixth debate was held on October 13 at Quincy's town square,
known as Washington Park, where seating had been rented from the
Levi J. North National Circus, but before the debate began the
seating collapsed. "There were a number of minor injuries, but the
speaking went on":
https://www.classic.circushistory.org/Thayer/Thayer2i.htm.
On October 15, the date of the last Lincoln-Douglas
debate, at Alton, the Mabie & Crosby's French and American Circus was in
town. The seven debates were scheduled in July,
and no evidence suggests that any consideration was given to whether
a circus might be in the communities on the dates of the debates or
whether the Mabie & Crosby Circus scheduled an appearance at Alton
on the debate date to take advantage of the attending crowd. The
circus advertisement in the Alton Daily Courier of October 8
indicated performance times of 2:30 p.m. and 7:30 p.m., but the
notice in that paper on the day of the debate indicates the circus
moved its first performance up to 11:00 a.m. to allow the public to
attend both events. Tony Pastor, who performed with the Mabie &
Crosby Circus, was a singing clown, like Dan Rice. During the Civil
War, Pastor performed in support of the Union cause. Afterward he
owned and operated theaters in New York.

In
May 1860 at Decatur, the Illinois Republican Party met in a
temporary structure ("wigwam") and nominated Abraham Lincoln as its
presidential candidate. "A tent 100
feet wide and 70 feet deep was procured from a local circus company
to house the crowd,"
https://www.waymarking.com/waymarks/WMCEM1_Lincoln_Nomination_Convention_Wigwam_markers_Decatur_IL.
This convention originated the designation of Lincoln
as the railsplitter candidate, creating a frenzied demand for the
rails he allegedly split soon after arriving in Illinois. Lincoln
attended and spoke briefly, as reported in the New York Tribune:
"He stated that, some thirty years ago,
then just emigrating to the State, he stopped with his mother's
family, for one season, in what is now Macon County; that he built a
cabin, split rails, and cultivated a
small farm down on the Sangamon River, some six or eight miles from
Decatur. These [the couple of rails presented at the convenion], he
was informed, were taken from that fence; but, whether they were or
not, he had mauled many and many better ones since he had grown to
manhood. The cheers were renewed with the same vigor when he
concluded his remarks,"
https://quod.lib.umich.edu/l/lincoln/lincoln4/1:38?rgn=div1;view=fulltext.
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Lincoln and Douglas
in Circus-Themed Political Cartoons
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Nineteenth-century circuses sometimes featured
weird boxing matches, for example, between tall, skinny men and
short, plump ones, and between men and such animals as kangaroos
and bears. One source says following cartoon, artist and original publisher
unknown, depicts the rivals in the 1858 Illinois US Senate race.

Sources:
https://www.battlefields.org/learn/articles/lincoln-douglas-debates
and
https://www.mrlincolnswhitehouse.org/residents-visitors/visitors-from-congress/visitors-congress-stephen-douglas-1813-1861/stephen-a-douglas/al_sd3a10511r_large/.
Professor Gillian
Silverman explains that the above 1860 political cartoon reveals
the ongoing rivalry of Lincoln and Douglas seen in the 1858 US Senate race for it
"draws attention to the same issues of spectatorship,
hyper-corporeality, and physical confrontation in the senatorial
debates. . . . The awkward enlargements of the two men's heads
(in contrast to the normal proportionality of the spectators
around them) and the exaggeration of their distinctive bodily
peculiarities (Lincoln is shown with elongated limbs, Douglas
with short, thick trunk) are intended to highlight the freakish
nature of the spectacle. Moreover, the presence of alcohol in
the ring (the black man who is Lincoln's 'second' is shown
holding a liquor bottle as is the Irishman who backs Douglas) is
a commentary on the bacchanalian excess that characterized the
debates and other contests between the two men ["other
contests," not specified]. In the background a third political
candidate [in the1860 presidential race], John Breckinridge, is
shown thumbing his nose at the theatrics of his opponents but
attracting little attention. The Lincoln-Douglas contest, the
cartoon implies, captured widespread interest because of its
ability to present political differences through scenes of
masculine corporeal confrontation." Note: The cartoon does not
reveal political differences. That is, if you knew nothing of
the historical context or the identities of the figures, you
would have no idea of their political differences.
Professor Silverman's interpretation continues: "The rise of a
mass society bent on entertainment and particularly on the
observation of eccentric bodies was a direct outgrowth of the
increasing domestic enclosure of middle-class life in the mid-nineteenth
century. 'In public,' writes Richard Sennett, 'people,
especially males, hoped at least to witness what life was like
outside the rigidities of the propriety they experience in the
family [Richard Broadhead, Culture of Letters: Scenes of
Reading and Writing in Nineteenth-Century America (Chicago:
University of Chicago, 1993), 66]. . . . Thus, hoards of
Americans flocked to see the great battle between 'the dwarf'
and 'the tall sucker' in part because it offered a limited
opportunity for unrestricted collective pleasure."
This commentary overlooks the fact that the American public at
mid-nineteenth century was fascinated by the political
differences between Lincoln and Douglas: their physical
differences were more of a sideshow than the main attraction,
and literary satires were arguably more thorough at revealing
those
political differences than cartoons. Lincoln well understood the
public's fascination with politics, and he worked much harder
and more effectively at editing and publishing his
prepresidential speeches and other political compositions than
Douglas did.
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The following cartoon, published during the 1860 presidential
campaign, depicts Douglas riding two seemingly incompatible
kinds of horses: one representing the Supreme Court's Dred
Scott decision, which allowed slaves to be taken into new
territories, and the other representing popular sovereignty,
which maintained local legislation and
police action could prevent that. The cartoon lampoons Douglas
for the precarious trick of trying to ride these contrary
animals simultaneously. The caption includes Douglas admitting that he won't be
able to pull off the stunt. Source: The Rail Splitter
(Chicago), October 6, 1860, 1, artist unknown.
https://elections.harpweek.com/1860/cartoon-1860-large.asp?UniqueID=36&Year=1860

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Each of the 1860 and 1864 presidential campaigns
had at least one political cartoon depicting Lincoln as Charles
Blondin, then a famous highwire performer; and as cited later
for the 1864 cartoon, Lincoln commented on him. The cartoon
below by Jacob Dallas(?) appeared in Harper's Weekly,
August 25, 1860. HarpWeek.com, the source of this image,
explains: "The stunt that Lincoln—in the guise of Blondin—performs
in this Harper’s Weekly cartoon refers to the time when
Blondin carried his 136-lb. agent, Henry Colcord, on his back
while crossing Niagara Falls on a tightrope. The cartoon may
also allude to a crossing in which Blondin appeared as an
enchained Liberian slave. In the artist’s view, the Republican
Party’s stance on slavery is a burden on Lincoln’s shoulders as
he tries to win the presidential election. The US
Constitution, however, is Lincoln’s balancing rod that keeps him
steady and allows him to reach his goal." The source of this
image provides more details about some of Blondin's
performances:
https://elections.harpweek.com/1860/cartoon-1860-medium.asp?UniqueID=12&Year=1860.
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Frank Leslie's Budget of Fun published the following cartoon on
September 1, 1864, in relation to the presidential race between
Lincoln and General George McClellan. The cartoonist is unknown.
The cartoon depicts Lincoln as Charles Blondin, the famous highwire performer, and according to Wikipedia, Lincoln knew
about him: "During the run-up to the
1864 United States presidential election,
Abraham Lincoln compared
himself to 'Blondin on the tightrope, with all that was valuable
to America in the wheelbarrow he was pushing before him.' A
political cartoon in
Frank Leslie's Budget of Fun
took up this quotation on 1 September 1864 depicting Lincoln on
a tightrope, pushing a wheelbarrow and carrying two men on his
back—Navy Secretary
Gideon Welles and War Secretary
Edwin Stanton—while 'John
Bull,'
Napoleon III,
Jefferson Davis (representing
England, France, and the
Confederacy, respectively), and
Generals Grant,
Lee and
Sherman (representing the
military) looked on, among others." Source:
https://en.wikipedia.org/wiki/Charles_Blondin.
The caption of the cartoon explains that Lincoln felt pressure
from leaders with diverse views on how he should conduct affairs
of state, especially the Civil War: "Mr. Lincoln said recently
that he was like Blondin on the tightrope, with all that was
valuable in American, the Union, in a barrow. Some of the
spectators cried, 'A little faster, Mr. Lincoln.' Another said,
'A little slower, Mr. Lincoln.' A third said, 'Straighten your
back a little more.' Others shouted, 'Stoop a little lower.'
Others cried, 'A little more to the South.' Some, 'A little more
North.' What would be thought, if, when Blondin was in the
performance of his dangerous task, the spectators bothered him
with advice, and even went so far as to shake the rope? So with
me---keep quiet, and I'll wheel my barrow across." Source:
https://elections.harpweek.com/1864/cartoon-1864-medium.asp?UniqueID=43&Year=1864.
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More of HarpWeek.com's
explanation: "This cartoon . . . reminded voters of the
difficult task President Abraham Lincoln had in securing the
Union. He is depicted as acrobat Charles Blondin, who was famous
for his daring tightrope-walks across Niagara Falls. Here, the
commander-in-chief combines two of Blondin’s feats: pushing a
wheelbarrow and carrying another man on his back. In this case,
it is two men: Navy Secretary Gideon Welles on Lincoln’s
shoulders and War Secretary Edwin Stanton on Welles’s shoulders.
Salmon Chase, who resigned as treasury secretary in June,
tumbles off the back of Stanton.
In the front row of the theater box on the left
are Union Generals Ulysses S. Grant (left) and William T.
Sherman (right). Between them, in the back row, may be General
Philip Sheridan. In the front row of the theater box on the
right are Confederate General Robert E. Lee (left) and
Confederate President Jefferson Davis. In the row behind them
may be Confederate General James Longstreet. In the right
foreground are John Bull, the personification of Great Britain,
and Napoleon III, the French emperor. Neither of their countries
recognized the Confederacy as an independent nation despite
diplomatic entreaties from the Confederate government."
The preceding cartoons relating to President Lincoln and
circuses are a sampling of such depictions. For more, access
Richard Hart's Circuses in Lincoln's Springfield, 9--18:
https://abrahamlincolnassociation.org/wp-content/uploads/2019/01/Circuses-In-Lincoln%E2%80%99s-Springfield.pdf.
That source includes information about circuses in relation to the
Lincoln family during their time in the White House, including Mr.
Lincoln's meetings and correspondence with such circus
celebrities as the dwarf General Tom Thumb, his family, and P.T. Barnum. Of course,
President Lincoln was the subject of many political cartoons
unrelated to circuses, and for various examples, visit
https://www.history.com/news/abraham-lincoln-political-cartoons.
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Conclusion
Abraham Lincoln and Stephen A. Douglas were
masterful political strategists and speakers in debate and on the stump. The
events and the texts of the debate speeches have been
accounted for in greater detail than the stump
speeches, so S. Linn Beidler's eyewitness account of
Douglas's circus-tent speech of September 4, 1858, provides
useful insight into the candidates' campaign behavior. Both
were mindful of their audiences, connecting with them
personally and adapting arguments to them. Douglas's
September speech in Lincoln, Illinois, was likely the first
time he captured an audience of circus attendees. Abraham
Lincoln must have seen the advantage of appropriating such
an audience, for he spoke under a circus tent at Hillsboro
just four days after observing Douglas's circus-tent speech;
and Douglas's experience at Lincoln must have been
encouraging, for on the same day on which Lincoln spoke at Hillsboro, Douglas spoke at a circus
venue in Carlinville. Apparently these three speeches and
the last joint debate were the only ones in which audience
size might have been increased because a circus was in town. Douglas chose the debate sites in
July to be in each of the seven congressional districts
where the candidates had not yet spoken, and there is no
evidence that Douglas chose communities for debate sites
because circuses were scheduled to be at them on the debate
dates. Whether the Mabie & Crosby's French and American
Circus planned to appear at Alton on October 15 because its
owners hoped to attract attendees from the final joint
debate crowd is unknown.
Lincoln's and
Douglas's circus-tent speeches enabled pro-Republican
newspaper reporters to write fresh satire to express their
political biases. These satires poke fun of Douglas as a
clown and trick performer for his alleged sneaky maneuvering
in the Toombs Bill legislative process and his contradictory track
record of first endorsing the Missouri Compromise of 1820
(congressional legislation forbidding slavery in new
territories) before working to invalidate that legislation
(accomplished with the 1854 Kansas-Nebraska Act, which
Douglas shaped and guided through Congress). The satires also fault
Douglas for the "trick" of both endorsing the Dred Scott
decision that allowed slavery in new territories and
then disallowing it through local legislation and police
action (his version of popular sovereignty). These newspaper
accounts illustrate satire as originally conceived by Greek
and Roman writers, for their criticism alleges that Douglas
is morally deficient: his chicanery in the Senate reveals low character,
his contradictory positions and policies betray hypocrisy,
and his rhetoric aims to deceive. After the Lincoln-Douglas debates
of 1858, political cartoonists continued to use
circus-themed satire to highlight vulnerability in the rivals'
positions and policies.
Footnote: The
origin of the elephant as the mascot of the Republican Party
may or may not trace to its formation in the 1850s,
https://www.wpr.org/how-did-us-political-parties-get-their-mascots
and
https://www.smithsonianmag.com/arts-culture/political-animals-republican-elephants-and-democratic-donkeys-89241754/.
Political cartoons have presented the Republican elephant as
a circus animal. Suggestion: Do a Google image search with
this phrase: GOP+elephant+circus. For many examples of
historical cartoons in this vein at the Library of Congress,
access
https://www.loc.gov/collections/cartoon-drawings/?q=GOP
elephant. |
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Other Online
Publications by D. Leigh Henson Relating to Lincoln the
Town, Lincoln the Writer, and Lincoln Memorials
Note: Each link opens in a new
browser window.
About Henry Ford and the
Postville Courthouse, the Story of the Postville Courthouse
Replica,
Tantivy, & the Postville Park
Neighborhood in the
Route 66 Era
Abraham Lincoln and the
Historic Postville Courthouse,
including a William Maxwell connection to it
A Long-Range Plan to Brand
the First Lincoln Namesake City as the Second City of
Abraham Lincoln Statues
A Tribute to the Historians and
Advocates of Lincoln, Illinois,
including Paul
J. Beaver, Raymond N. Dooley, James T. Hickey, and Lawrence
B. Stringer
Classical Rhetoric as a Lens for
Reading the Key Speeches of Lincoln’s Political Rise,
1852–1856, article in the Journal of the
Abraham Lincoln Association (peer-reviewed), 2014
Inventing Lincoln: Approaches to His
Rhetoric, a critical analysis of how his
biographers and communication specialists have interpreted
his speeches and other compositions
"Lincoln at Lincoln: Abraham Lincoln Rallies
Logan County, Illinois, in His First Namesake Town on
October 16, 1858,"
Journal of the Illinois State Historical Society
(Lincoln Bicentennial Issue, 1809--2009 [peer reviewed])
101, nos. 3--4 (Fall/Winter 2008): 356--392. Full access at
https://www.jstor.org/stable/40204745.
"Max Bachman's Lincolns," including photos of
his various Lincoln statues and busts, http://findinglincolnillinois.com/abestatueplan/bachmanslincolns12-12.pdf
Rediscovering the Identity of
the Sculptor Who Created the Beheaded, Buried Lincoln Statue
in Lincoln Park, Springfield, IL
Rediscovering the Replica of the
Lincoln Statue That Joseph Petarde Created and Donated to
Peoria's Kingman Primary School
Review of Lincoln in Private by
Ronald C. "Ron" White
The Abraham
Lincoln Bicentennial Celebration of Lincoln, Illinois
The Five Lincoln Memorial Trees of
Bloomington-Normal, Illinois, 1850s to the Present
The
Question of Whether Abraham Lincoln Practiced Law in the
Christian Church of Lincoln, Illinois,
https://findinglincolnillinois.com/questionoflincolnpracticinglawinchurch.html.
The Reenactment of Abraham Lincoln's1858
Political Rally and Speech in Lincoln, Illinois: His First
Namesake City, including the research-based playscript,
https://findinglincolnillinois.com/bicentennial/1858re-enactment.pdf.
Related video:
https://www.youtube.com/watch?v=OwZAXvmbytc.
Related photo
album:
https://photos.google.com/share/AF1QipNu1GjsurWSY3syiym8kmw9fTOAojFvKtngm_iueVUqJzEqgod1BKbLAj6ys4Ws9g?key=M3prQ0FCTFloeEl3VVJMMFVhdTZfTnVhaVdrdHRR.
The Research-based, Creative
Process of Designing the Head of the Statue Lincoln
Rallies the People, in
Lincoln, Illinois
The Rise of Abraham Lincoln
and His History and Heritage in His First Namesake Town,
including the speeches he gave there, the founding of
Lincoln College, the plot to steal Lincoln's body, and
memories of Lincoln College and the Rustic Tavern-Inn
The Town Abraham Lincoln
Warned: The Living Namesake Heritage of Lincoln, IL
Henson's curriculum vitae (cv) cites other
subjects of his research and publication:
https://findinglincolnillinois.com/DLHensoncv7-20.pdf.
In progress (2017 to the present): analysis
and critical commentary on 30+ of Abraham Lincoln's compositions that explain
his rhetorical struggle and rise to the presidency (in peer
review and revision, 2021--2022) |
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